She caught the crying of those Three,
The Immortals of the eternal ring,
The Utterer, Uttered, Uttering.
(from his poem, Margaret Clitheroe)
Monday, 8 November 2010
Wednesday, 3 November 2010
674 - Ludic Self
Nice quote, Pat Kane, The Play Ethic: A Manifesto For A Different Way Of Living (2004), p.48:
"But the idea of a 'playful self', of a self that plays with its boundaries and masks, was birthed long before tricksy ad campaigns and postmodern theory. The clear starting point is Renaissance literature, and that list of writers - from Rabelais, Erasmus and Machiavelli, to Shakespeare, Donne and Marvell - who used their art to imagine a self that was not validated by Church, nobility or tradition. And their most favourite strategy was the ludic self - a literary persona that toyed with the very idea of being a single unitary consciousness."
Also, earlier in the chapter, a telling reference to the effect that the opposite of play is not work, it is depression.
And for the record, the chapter explores Brian Sutton-Smith's six rhetorics of play, which are:
"But the idea of a 'playful self', of a self that plays with its boundaries and masks, was birthed long before tricksy ad campaigns and postmodern theory. The clear starting point is Renaissance literature, and that list of writers - from Rabelais, Erasmus and Machiavelli, to Shakespeare, Donne and Marvell - who used their art to imagine a self that was not validated by Church, nobility or tradition. And their most favourite strategy was the ludic self - a literary persona that toyed with the very idea of being a single unitary consciousness."
Also, earlier in the chapter, a telling reference to the effect that the opposite of play is not work, it is depression.
And for the record, the chapter explores Brian Sutton-Smith's six rhetorics of play, which are:
- Play as progress
- Play as imagination
- Play as selfhood
- Play as fate and chaos
- Play as shared identity
- Play as contest
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